Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/38980
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dc.contributor.authorRibeiro, Maria Aparecida-
dc.date.accessioned2016-05-12T16:29:18Z
dc.date.accessioned2020-09-18T09:08:43Z-
dc.date.available2016-05-12T16:29:18Z
dc.date.available2020-09-18T09:08:43Z-
dc.date.issued2003-
dc.identifier.issn0870-4112-
dc.identifier.issn2183-7139 (digital)-
dc.identifier.urihttps://hdl.handle.net/10316.2/38980-
dc.description.abstractBug Jargal, the novel by Victor Hugo, has been well accepted in Brazil and Portugal. Focusing particularly on episodes such as that of the fire, that of the rebels’ parade or that of the words of the song in which a Negro declares himself king and slave at the same time, Gonçalves Dias, José de Alencar, Gomes de Amorim, Carlos Gomes and Gama Malcher highlight and situate these scenes in new contexts, thus giving them new meanings.eng
dc.language.isopor-
dc.publisherFaculdade de Letras da Universidade de Coimbra-
dc.rightsopen access-
dc.titleA aurora e o crepúsculo: a recepção de Bug-jargal e a questão racial no Brasilpor
dc.typearticle-
uc.publication.collectionBiblos vol. I-
uc.publication.firstPage87-
uc.publication.lastPage110-
uc.publication.locationCoimbra-
uc.publication.journalTitleBiblos-
uc.publication.volume1por
dc.identifier.doi10.14195/0870-4112_1_5-
uc.publication.sectionArtigos-
uc.publication.digCollectionIP-
uc.publication.digCollectionB1-
uc.publication.orderno6-
uc.publication.areaArtes e Humanidades-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/38980/217514/manifest?manifest=/json/iiif/10316.2/38980/217514/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11277156-
uc.itemId71597-
uc.thumbnail.urihttps://dl.uc.pt/iiif-imgsrv/11277106/dl!3!13!18!22!131822851523050050928268913322400436895-
item.grantfulltextopen-
item.fulltextWith Fulltext-
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