Please use this identifier to cite or link to this item:
https://hdl.handle.net/10316.2/35453
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Olaio, A. | - |
dc.contributor.editor | Universidade de Coimbra. Faculdade de Letras (ed. lit.) | - |
dc.date.accessioned | 2015-01-12T12:20:07Z | |
dc.date.accessioned | 2020-09-18T09:10:11Z | - |
dc.date.available | 2015-01-12T12:20:07Z | |
dc.date.available | 2020-09-18T09:10:11Z | - |
dc.date.issued | 2013 | - |
dc.identifier.issn | 0870-4112 | - |
dc.identifier.uri | https://hdl.handle.net/10316.2/35453 | - |
dc.description.abstract | Ambiguity as Ideology. The “Week of art in the street” in the genesis of group COLOURS and thereafter. Looking back to the early years of Portuguese revolution, to the experiences of the artists of Círculo de Artes Plásticas de Coimbra in those days, and its echo in contemporary Portuguese artists, we fi nd a challenging starting point to refl ect on the place of ambiguity in art and its relations urban life. | eng |
dc.description.abstract | A ambiguidade como ideologia. A Semana da Arte na Rua na génese do grupo CORES, e a partir daí. Nos primeiros anos da revolução de Abril, as experiências dos artistas do Círculo de Artes Plásticas de Coimbra, e o seu eco nos artistas portugueses actuais, é um estimulante ponto de partida para reflectir sobre o lugar da ambiguidade na arte e as suas relações com a vida urbana. | por |
dc.language.iso | por | - |
dc.publisher | Imprensa da Universidade de Coimbra | - |
dc.subject | Contemporary Art | eng |
dc.subject | Performance | eng |
dc.subject | Conceptual Art | eng |
dc.subject | Arte Contemporânea | por |
dc.subject | Arte Pública | por |
dc.subject | Arte Conceptual | por |
dc.title | As cores do círculo de artes plásticas: a ambiguidade como ideologia | por |
dc.type | article | - |
uc.publication.collection | Biblos vol. XI | - |
uc.publication.firstPage | 15 | - |
uc.publication.lastPage | 38 | - |
uc.publication.location | Coimbra | - |
uc.publication.journalTitle | Biblos | - |
uc.publication.volume | 11 | por |
dc.identifier.doi | 10.14195/0870-4112_11_1 | - |
uc.publication.section | Artigos | - |
uc.publication.digCollection | IP | - |
uc.publication.digCollection | B1 | - |
uc.publication.orderno | 2 | - |
uc.publication.area | Artes e Humanidades | - |
uc.publication.manifest | https://dl.uc.pt/json/iiif/10316.2/35453/218264/manifest?manifest=/json/iiif/10316.2/35453/218264/manifest | - |
uc.publication.thumbnail | https://dl.uc.pt/retrieve/11291641 | - |
uc.itemId | 71797 | - |
uc.thumbnail.uri | https://dl.uc.pt/iiif-imgsrv/11291591/dl!3!12!40!28!124028128733156946737637401953797363556 | - |
item.fulltext | With Fulltext | - |
item.grantfulltext | open | - |
Appears in Collections: | Biblos |
Files in This Item:
File | Description | Size | Format | |
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biblos_xi_cap2.pdf | 5.75 MB | Adobe PDF |
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