Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/32041
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dc.contributor.authorRocha Júnior, Roosevelt Araújo da
dc.date.accessioned2014-06-30T11:12:22Z
dc.date.accessioned2020-09-21T03:21:11Z-
dc.date.available2014-06-30T11:12:22Z
dc.date.available2020-09-21T03:21:11Z-
dc.date.issued2009-
dc.identifier.isbn978-989-26-0908-9 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/32041-
dc.description.abstractIn a symposion, music played an important role. It was through music that the traditions were perpetuated and the young men were educated. We see this in several ancient Greek texts, from Homer to Athenaeus. Music also has a significant role in Plutarch’s Convivium Septem Sapientium. In this brief paper, my aim is to examine the use that Plutarch makes of musical themes in that dialogue. In the end, I intend to show that music marks Plutarch’s way of thinking and style.eng
dc.language.isoeng-
dc.publisherImprensa da Universidade de Coimbrapor
dc.publisherCentro de Estudos Clássicos e Humanísticospor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/2353por
dc.rightsopen access-
dc.titleMusic and symposium in Plutarch’s Convivium Septem Sapientium: a brief notepor
dc.typebookPartpor
uc.publication.firstPage505-
uc.publication.lastPage509-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-8281-17-3_46-
uc.publication.digCollectionPBpor
uc.publication.orderno46-
uc.publication.areaArtes e Humanidadespor
uc.publication.bookTitleSymposion and philanthropia in Plutarch-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/32041/227657/manifest?manifest=/json/iiif/10316.2/32041/227657/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11426514-
uc.publication.parentItemId50955-
uc.itemId73679-
item.fulltextWith Fulltext-
item.grantfulltextopen-
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