Please use this identifier to cite or link to this item: https://hdl.handle.net/10316.2/31505
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dc.contributor.authorAnacleto, Marta Teixeira
dc.date.accessioned2014-06-23T14:31:20Z
dc.date.accessioned2020-09-20T20:44:47Z-
dc.date.available2014-06-23T14:31:20Z
dc.date.available2020-09-20T20:44:47Z-
dc.date.issued2010-
dc.identifier.isbn978-989-26-0245-5 (PDF)
dc.identifier.urihttps://hdl.handle.net/10316.2/31505-
dc.language.isopor-
dc.publisherImprensa da Universidade de Coimbrapor
dc.publisherEdiciones Universidadpor
dc.relation.ispartofhttp://hdl.handle.net/10316.2/2633por
dc.rightsopen access-
dc.titleCenografias dissonantes: da "discrição" e da "honnêteté" no imaginário barrocopor
dc.typebookPartpor
uc.publication.firstPage67-
uc.publication.lastPage77-
uc.publication.locationCoimbrapor
dc.identifier.doi10.14195/978-989-26-0245-5_3-
uc.publication.digCollectionPBpor
uc.publication.orderno3-
uc.publication.areaArtes e Humanidadespor
uc.publication.bookTitleD. Francisco Manuel de Melo e o barroco peninsular-
uc.publication.manifesthttps://dl.uc.pt/json/iiif/10316.2/31505/225629/manifest?manifest=/json/iiif/10316.2/31505/225629/manifest-
uc.publication.thumbnailhttps://dl.uc.pt/retrieve/11401165-
uc.publication.parentItemId52205-
uc.itemId73273-
item.fulltextWith Fulltext-
item.grantfulltextopen-
Appears in Collections:D. Francisco Manuel de Melo e o barroco peninsular
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